Elements of Art in the Reproduction of the “Blue Bird” Essay

reverberation of the Blue Bird fresco, ca. 1700-1525 B.C. Water food color on paper. Metropolitan Museum of Art, New York. television channel For this assignment, I chose the Reproduction of the Blue Bird fresco. This is a very arouse pitch. The very light, almost fragile lines, combined with the watercolor average, give this piece a very delicate appearance. The watercolor medium allows much of the igniter of the paper underneath to reflect through the colors to give the characterisation an overall lustrous appearance. Most of these lines seem to bend and sway, creating movement toward the gritty bird, qualification the bird itself the focal point of this piece. Color While the panther did not seem interested in using a heap of different riddles in this ikon, it was painted with values ranging from pure white to medium values of grey. If you notice, the red hue used is much less saturated, making it a darker tone than the to a greater extent saturated, more pure blue hu e of the bird and the nearby flowers. Texture The overall physical texture of the word picture, I imagine, is very smooth to the touch because it is a watercolor painting. However, texture back tooth be simulated through the use of line as it was through with(p) here. The stylized, curving lines near the bottom of the painting indicate a uncut coastline. They imply texture. Texture doesnt seem to be something that the painter was to a fault concerned with making part of their work.Shape Many of the shapes surrounding the focal point are left implied. The painter seemed to want to keep the trouble focused on the blue bird and thus, did not fill these shapes with color or detail. The shapes that were given full form were done so with curved, more organic lines rather than sharp, angular lines associated with more geometric shapes. Form This painting takes the form of a fresco, as it was originally part of a enlarged series of panels that covered a large wall. Since this is a wa tercolor painting rather than a sculpture, the forms are illusionistic. They cannot be viewed from all angles and have no actual measurable depth and volume. situation Much like texture, Space does not appear to have been a major concern to the painter. The lapping forms do indicate a progression of space however, there is weensy else to create the illusion of depth.